Recently found this B12 cassette i got back in 93 at Container Records/Hamburg. Now lurking from my KRK studio monitors. B12 ftw!
October 28th, 2011 in Blog/Photography
Tagged with photography, Studio
As much as i admire any genre of electronic music, i recently stumbled upon some fantastic new albums i’d file under that nifty name “pop music”. That might be dilletant for some however works fine for me. Above is a playlist with tracks by Tom Waits, Zola Jesus, Trouble Andrew, The new division and more.
If you like this selection i strongly recommend checking out ISO 50s playlists over here.
Our first little game for iOS and Windows released under Farbrauschs newly formed outlet Gamebrausch recently hit the worlds appstores. It’s titled “Picnic Mayhem”, features hungry cute bears, meat, cheese, brains, frogs, bombs, chainsaws…
Music and sound design ended up on my desk where i tried to keep it somewhat weird & organic while mainting an overall funny theme. I really dig the outcome, especially the sounds for the creatures where a task on their own.
See and hear yourself
It is currently available for iPhone, iPod Touch, iPad on the Appstore (0,79€) and for Mac OSX on the Mac Appstore (3,99€). Windows users can grab a free version here. An Android port is currently in the making.
October 21st, 2011 in Studio/Games
Tagged with Gamebrausch, Picnic Mayhem
Yay, NIs Maschine arrived yesterday and i was asked to share my first impression. Here it is…
After taking a close look at Novations Launchpad and Akais APC40 and trying to use both for drum programming (and step sequencing) i got my head around to ditch both and go for Native Instruments Maschine instead. Still can’t say above controllers are bad (actually, i’d love to keep the APC40 for Ableton) but even with remote scripts and whatever hacks they didn’t satisfy my needs. Yes, both can be bent to extremes but see, i just want a piece of gear to work. And honestly some of those hacks require a master degree in rocket science to deal with.
Like the X1, the Maschine controller has a very stable and rugged feel to it, buttons and knobs are well illuminated. Different pad states are easy to determine unlike on some other devices (hello Akai). The displays are also well readable from all angles.
Of course i was eager to check out the system hence can’t get my head around studying the manual, fire up the software instead, load the Anthony Rother preset, hit play and try to get along on my own. The first few minutes end up in an “oh, it’s playing sounds and the pads are flashing”-state of mind, staring at controller and screen, back & forth, trying to make a sense of what’s going on. Is that a bad thing? No, rather some kind of being overwhealmed in a good way.
After waking up from mind-hibernation i’m taking action in own hands start hitting the pads for good. So far, the best ones i tried, instantly get a feel for sensitivity and velocity response. One of the things i’m most concerned about is the step sequencer mode to which is easily accessible via hard- and software. I was a bit afraid it might be some kind of a hack – maybe due to my Launchpad and APC40 learnings – fortunately it’s not. Actually, it’s more or less an alternative view to the pattern and not some kind of arbitary, restricted mode.
Obviously the first thing for me to do is loading a 909 kit and give it some good old-fashioned Ghetto-style-snare-in-the-face-and-tom-your-ass-off-treatment. Once started with programming and checking which button does what Maschine unfolds its untuitive handling. Editing, duplicating, altering pattern goes with a snap.
Last not least i’m interested in pattern transfer from Maschine to Ableton. It should work by drag & drop, unfortunately the icon choosen for that function isn’t too self explanatory – had to look that one up. Once located there are a number of options like having a single pattern holding all notes or a pattern for each pad. That’ll certainly come in handy lateron.
I also had a look at the variety of menus on the two controller-side displays every now and then, fiddled around with filters, envelopes, effects… First thought they might be too small to present enough information to work with, but they really aren’t. Once used to them those will speed up the production process a lot over going through the software on the monitor. I guess? At least for specific operations.
And that’s all about me scratching Maschines surface – it is lots of fun and so far i’m very, very impressed with every aspect of it. More to come – stay tuned!
10 years ago Christian Morgenstern released my first solo vinyl EP (after all the Snitzer & Mc Coy stuff on Superstition) on his Forte Records imprint. Haven’t heard it in years. Someone now uploaded the A1 in full length on Youtube. Merci!
This months mixed bag of 21 tracks starts in the vein of UR003 with Boddika’s “Electron” on Swamp 81, gets beefy with the Solaris Series on Hidden Hawaii, Developer & Surgeon, groovey with Martyn & Mike Slott, another Shed-produced hit on Wax before taking you to the burnt-plastic smell of Morphosis on Aroy Dee’s imprint M>O>S recordings (awesome Carpenter-ish-cinematic-dance-music longplayer there!).
While Addison Groove’s “Work it” already implies to deal with some DJ Funk-alike bounce you get the full booty jerk by Pearson Sound featuring Rod Lee. In between: the new Sandwell District release by Rrose, Sigha on James Ruskin’s Blueprint, the new Martian on Red Planet (whoo-hoo!), Hardfloor feat. ERP, Mike Dehnert’s discovery Roman Lindau and Silent Servants almost hidden track on Developers album “Entrada”. I finally got to play one of those epic journeys by Brendon Moellers alter ego Echologist from ‘Subterranean‘ alongside with Speedy Js tool ‘Shoegaze’ on Electric Deluxe. These two: perfect match – BOMB!
After all, last months fave ‘CLK Recovery’ by Objekt (one of my few vinyl purchases this year), another Sigha track, BiceP’s ‘Washing machine’-sounding freebie ‘Silk’ and last not least Kirk Degiorgio’s take on Martin Buttrich’s ‘Full Clip‘.
July 15th, 2011 in Studio/Mixes
Tagged with Traktorized
Oh, look – a double rainbow all across the sky! What does it mean? – Well, pretty much that this summer in Hamburg sucks so far… Then again, it’s Hamburg. Why bother anyway?
July 9th, 2011 in Blog/Photography
Tagged with photography
That’s a pretty interesting/impressive tech demo of a modular realtime audio studio titled ‘AudioGL‘. Above track and visuals were generated in realtime using their homegrown engine. No samples or further processing was applied. Techwise it’s an environment somewhere between Buzztracker and Reaktor, you stack modules to create signal paths. Not sure wether the eye-candy 3d way of modulating sounds is really applicable but it looks fancy – doesn’t it?
To be honest, aside from all the coolness and technical achievement – what shall one do with it? Is there a demand for realtime generated audio on the web? It pretty much reminds me of the first whooo-effect when using our Farbrausch V2 synth for the first time. Now, over 10 years after that it still being used a lot in the demoscene. But that’s about it already.
Anyway, it’s a cool project to follow and maybe they’ve got a sophisticated masterplan on their minds to pave the way for the technology.
If you want to learn more about it, there’s a second video with more detailed information
July 6th, 2011 in Blog
Tagged with realtime synthesis
Can’t yet say that i’m a too avid user of Google Plus, but the way that it embraces Android is just nice. Just took a photo with my Galaxy S and GPlus asked me to share one of those shots with my friends. Gotta say it’s a bit uncanny at first but the seemless integration between Android and G+ makes sense. Wonder what other secrets they’ve got up their sleeves…
July 5th, 2011 in Blog/Photography
Tagged with Google+
If you didn’t hear about Levni Yilmaz’ “tales of mere existence” yet, you’ll most probably spend the next hours clicking through his Youtube channel. The latest episode is about arts, overcoming blockades and not giving a fuck. The rest pretty much sums up life in all its beauty and weirdness, too. Enjoy!
July 4th, 2011 in Blog/Video
Tagged with Inspiration
In case your reality needs a fix – make everything ok. via @spani3r/s2k
*EPILEPSY WARNING!* < true.
This demoscene rooted animation by the russian guys of Quite may cause eye cancer, hyperventilation, epilepsy or all at once. Nice sync excercises to a soundtrack by Brothomstates. So far there’s no realtime version available yet.
Furthermore there’s some kind of followup to their award-winning 4k intro CDAK (as mentioned earlier) on vimeo too. Yet another mesmerizing drone trip. Music by Brothomstates as well.
June 20th, 2011 in Blog/Video
Tagged with Demoscene, Inspiration
Join me at the social club!